While varied in quality and modest in size, Seattle’s collection of 152 Chinese painting and calligraphy has never been studied in depth and is heretofore largely unpublished. For the first time, it is being introduced and made universally accessible through this newly developed online catalogue, which features thoughtful and provocative essays about major works by renowned scholars, with high-resolution, zoom-able images of the works of art, and thorough documentation—including transcriptions and translations of inscriptions and colophons, and seals which are transcribed, identified and located.