His songs were innovative, inspiring songs of joy, love and revolution. He composed the great Gambian music encyclopaedia of beats, rhythms, melodies and harmony scores that became the yard stick for weight and dept in Gambian music that wasn’t in American music, free from impersonation and free from instinctive imitation songs, rejected copying western clothes and fashion style, reject bleaching and hair frying. He was the true culturalist and a Pan Africanist. The veil of illusion and the concept of make all believe disappeared with his music and image.