While all of this is good and fun, the strongest laughs in Bad Exorcists are delivered by Julian Master’s realization of the dense and clueless Dana. Channeling the best parts of both John Belushi and John Candy, Dana simply isn’t living in the same world as his friends and all of his off-track nonsequiturs land fabulously. Particularly his rant about a particular benefit of being a rap star, which threads through the film and is delivered with the deadpan seriousness of someone trying to make people understand about an impending pandemic. Wonderful.