In collaboration with Lovely Quinces, Jonathan fire up “I Don’t Mind,” an almost operatic pop song that cries out for us in its yearning lyrics but feels so instrumentally insular and distant that its hesitant tempo takes on an even greater meaning in the larger narrative. “Monkeys” sees the band breaking the dam and letting their gothic influences take the creative lead, but it doesn’t shift the direction or flow of To Hold in the least. “Wake up Call” pours some elastic grooves into the pot before clearing out for the album-closing “Gone,” which could be the most chilling track that I’ve ever heard from Jonathan. It’s a fitting end to a very evocative LP that is as imagistic as it is incredibly surreal and interpretive.