These politics are evident in the work of place-based organizations such as Proyecto ENLACE and G-8 in the Caño Martín Peña, Aquí Vive Gente in Puerta de Tierra, and the Black Panther–inspired Comedores Sociales de Puerto Rico, among many others. It is also present in the numerous public murals produced by individuals and artist collectives; the agro-ecological movement’s use of traditional Puerto Rican farming knowledge; and in what urbanist Marina Moscoso Arabía calls a “third wave” of land and property occupations across the island, including, most recently, the mountain town of Lares. There, a group of seven displaced families occupied a school that had been abandoned for three years without permission from state authorities. The new residents, combining several placemaking practices, turned the school into a housing complex capable of “growing food, raising animals, creating a catering business, building a coffee shop, and creating art they can sell” (Graulau 2018).