When I was first asked to be a juror for the Women in Horror Film Fest, I felt the job was right up my alley. I worked for 7 years with WeScreenplay, Screencraft, and Coverfly collectively and understood how to dissect script analysis into bite-sized, digestible morsels. I’d also placed in WIFF semifinals in 2018 and was on my way to producing features with Yardline Films which were slated for release in 2020.