Many of his songs incorporate social commentary. These include the songs on marriage in the study here, which probably date from the early 1970’s. One might argue that they are really one large song, and in performance, Dan Maraya incoporates lines from each of them. However, the recordings that serve as the basis for this study have three distinct musical settings, and the songs themselves have three different themes. “Jawabin Aure” [“Discourse on Marriage”] lists the problems attendant in divorce and admonishes married couples to try to patch up their differences. “Auren Dole” [“Forced Marriage”] decries the practice of families arranging marriages for their daughters rather than letting them decide on their own mates. “Gulma-Wuya” [“The Busybody”] describes a neighborhood gossip who works in collusion with a boka (a practitioner in casting spells, removing evil spirits, etc.) to disrupt marriages by sowing dissension between women and their husbands. The latter song is amusing in that Dan Maraya performs it as a drama, imitating the voices of the different characters as they speak, a technique that he has used in other songs as well. [Compiled by Aliyu Badeggi].