Mrs. Kasha Davis is “very focused on performing domestic labour tasks. She often [comes] onto stage with a vacuum, or she’s cooking,” Washko said. “I thought there’s a fine line between caricature, or making fun of someone and honouring them in drag. I really felt that Mrs. Kasha davis fell on the side of really honouring women — particularly of the 50s and 60s — who were in a position to be expected to do an extraordinary amount of domestic labour without being appreciated for it.” So, as a feminist artist, Washko “was interested […] in Mrs. Kasha Davis’ approach to creating this persona as an homage to these women.”