Enough ink — both physical and digital — has been spilled in praise of Tom King and Gabriel Hernandez Walta‘s admittedly Philip K. Dick-inspired techno-Shakespearean tragedy that adding to it just feels like piling on against the rest of the industry at this point. Suffice to say all the superlatives you’ve heard are true and then some and yeah, this one has “destined to be talked about for years to come” written all over it.