Project directors Mimi Gates and Josh Yiu led a cross-departmental team in the Seattle Art Museum to conceive new ways to present and disseminate scholarly information about the permanent collection of Chinese Painting and Calligraphy. Registrar and museum database specialist Michele Miller oversaw photography and IT needs and was the key liaison to Gallery System Web Atelier. Former Digital Media Manager Debbie Fynn gave us a crash course on web technology and played a major role in defining the scope of work. Grants Officer Carol Mabbot diligently disciplined the team to keep on track and on budget. Copy Editor Sheryl Ball substantially improved the texts and tombstone information. Graduate intern Xiaolin Duan was involved with every aspect of the catalogue—from research to data entry. Elizabeth Mann photographed many works and stitched them seamlessly. Lowell Bassett, former Rights and Reproduction Administrator and Matt Empson prepared the images for publication. Curatorial Assistant Amber Khoury and her predecessor Tina Lee kept track of paperwork and contracts. Senior staff at the Seattle Art Museum who ensured the success of this museum-wide effort included Chief Curator Chiyo Ishikawa, Chief Conservator Nicholas Dorman, Director of Information Technology John Kent, and Director of Museum Services Lauren Mellon.