One thing Patrick Topping's Trick imprint has managed to do particularly well is nail down an aesthetic for stage design and videography. The visuals behind the DJ booth were spectacular, and fit Patrick's own brand of sizzling tech-house perfectly. Patrick didn't delve too far into his own back catalogue, reaching for more recent tracks such as ‘Be Sharp, Say Nowt’ and ‘Turbo Time’, but the set had a nice flow and kept the dancefloor moving. There was a nod to the previous night's performances, as he dropped his own remix of Sam Fender's ‘Hypersonic Missiles’, which received a raucous reaction. It marked a change of pace from the more distorted and surreal vocals which accompany many of his selections, such as the pitched-up vocals of Elliot Adamson's ‘Electric Acid Tator Tots’.