title: 德勒兹电影理论里时间影像（time-image）和运动影像（movement-image）到底是什么？
desc: 我找到了出处：<br>In the classical system of the movement-image， the action is dominatedby a sensory-motor organization of movement， that is， a causal motivation that links one action to the next. Time is represented in themovement-action only indirectly， that is， through the linear chain of narratedevents. The time-image， on the other hand， is an image that hasbecome free from the classical narrative realism， and represents timedirectly through the depiction of pure optical and sonorous situations. Apure optical and sonorous situation doesnt prolong itself into action anymore，since it is no longer induced by an action Deleuze 1985 29. <br>但是有点不太理解。
topic: 哲学
content: 其实刚刚开始读德勒兹.. 斗胆来解释一下.. （如有错误还望匡正） 1. 德勒兹认为，哲学是对概念的创造，而艺术是对感受的创造。对德勒兹来说，不应该从预设的倾向出发进行对哲学和艺术的思考。在思考概念和体验感受的过程中都存在两种不同的思想方式 对待“概念”： 日常生活的意义上，往往遵循着再现模式，以认同交流为目标，往往表现为“定见”“成见”，人们往往以某种约定俗成的观念价值观出发来思考而哲学意义上
answerer_tags: 微信平台【先锋现代派】、香港01哲学与澎湃思想专栏撰稿者