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publisher:"Vilnius Academy of Fine Arts" – OATD
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 1. Saukaitė, Monika. Pasakojimo strategijos Šatūno Saukos tapyboje.
 Degree: Dissertation, Art Criticism, 2014, Vilnius Academy of Fine Arts
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987 ;
 Disertacijoje nagrinėjama vaizdo naratyvumo problema. Analizės objektas – žymaus lietuvių dailininko Šarūno Saukos tapyba. Š. Saukos paveikslai atrodo esą siužetiški, pasakojantys istorijas, nors šios numanomos... (more)
 Disertacijoje nagrinėjama vaizdo naratyvumo problema. Analizės objektas – žymaus lietuvių dailininko Šarūno Saukos tapyba. Š. Saukos paveikslai atrodo esą siužetiški, pasakojantys istorijas, nors šios numanomos istorijos dažniausiai neturi žodinių provaizdžių, galinčių tapti interpretacijos šaltiniu. Todėl paveikslai tampa atviri pačių suvokėjų kuriamiems pasakojimams: vaizduojamos situacijos, dažnai primenančios nesuprantamus ir nerimą keliančius ritualus, provokuoja juos aiškinti pasitelkiant įsivaizduojamas istorijas. Tačiau ar kuria pasakojimus patys paveikslai? Ar galima rasti naratyvumo ženklus pačiame tekste, pačioje paveikslo struktūroje, neprimetant jam savo pasakojimo? Kokia naratyvumo samprata gali papildyti vizualių tekstų suvokimą, užuot spraudusi juos į siaurus sąvokos rėmus? Kokiu būdu Š. Saukos paveikslai geba pasakoti istorijas? Atsakymo į šiuos klausimus disertacijoje ieškoma pasitelkiant prancūzų semiotiką ir naratologiją. Formuluojamos teorinės ir metodologinės statiško vaizdo naratyvumo analizės gairės, naratyvumą siejant ne tik su gebėjimu pavaizduoti laikinę seką, bet ir su numanomomis transformacijomis, naratyvinės gramatikos dėsniais bei pasakojimo akto dalyvių (pasakotojo ir jo adresato) komunikacija. Analizuojant Š. Saukos darbus, ryškinami pasakojimo kūrimo mechanizmai, atskleidžiamos skirtingos žiūrovo dalyvavimo paveiksle formos, pasakotojo pasirodymo strategijos, horizontalus ir vertikalus tapybos naratyvumo matmenys.
 The dissertation explores the problem of visual narrativity. The object of the analysis are the works of the famous Lithuanian painter Šarūnas Sauka. Š. Sauka‘s paintings clearly seem to tell stories, although they are rarely based on any verbal stories that could serve as a source for interpretation. Instead, they are open to a wide range of individual interpretations: the viewers are provoked to narrativize the paintings by inventing stories that could explain the depicted scenes, which would otherwise remain mysterious and incomprehensible. But do the paintings themselves tell stories? Is it possible to trace narrativity in the very structure of the paintings? What concept of narrativity may be efficiently employed to analyze and understand visual texts? By what means Š. Sauka’s paintings are able to tell stories? The dissertation examines these questions by employing the French semiotics and narratology. The theoretic and methodological guidelines for the analysis of visual narrativity are formulated, linking it not only to the depiction of temporal sequences, but also to the implied transformations, to the laws of narrative grammar, and to the communication of the participants of the narrating act (the narrator and his addressee). In Š. Sauka’s paintings, the narrative strategies are elaborated by revealing the horizontal and the vertical dimensions of pictorial narrativity, as well as by examining the viewer’s and the narrator’s roles in the paintings.
 Advisors/Committee Members: Jablonskienė, Lolita (Doctoral dissertation supervisor), Nastopka, Kęstutis (Doctoral dissertation advisor), Narušytė, Agnė (Doctoral dissertation opponent), Satkauskytė, Dalia (Doctoral dissertation opponent), Aleksandravičiūtė, Aleksandra (Doctoral dissertation committee chair), Baranova, Jūratė (Doctoral dissertation committee member), Grigoravičienė, Erika (Doctoral dissertation committee member), Keršytė, Nijolė (Doctoral dissertation committee member), Račiūnaitė, Tojana (Doctoral dissertation committee member).
 Subjects/Keywords: Šarūnas Sauka; Semiotika; Naratyvumas; Pasakojimas; Tapyba; Šarūnas Sauka; Semiotics; Narrativity; Narrative; Painting
 Saukaitė, M. (2014). Pasakojimo strategijos Šatūno Saukos tapyboje . (Doctoral Dissertation). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987 ;
 Saukaitė, Monika. “Pasakojimo strategijos Šatūno Saukos tapyboje.” 2014. Doctoral Dissertation, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987 ;.
 Saukaitė, Monika. “Pasakojimo strategijos Šatūno Saukos tapyboje.” 2014. Web. 17 Jan 2019.
 Saukaitė M. Pasakojimo strategijos Šatūno Saukos tapyboje. [Internet] [Doctoral dissertation]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987 ;.
 Saukaitė M. Pasakojimo strategijos Šatūno Saukos tapyboje. [Doctoral Dissertation]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140519_094131-66987 ;
 2. Jakilaitytė, Julija. PRADŽIA.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111047-31626 ;
 PRADŽIA - tai instaliacija apie kūrybą, mano kūrybos pradžią. Nuo didžiojo sprogimo atsiradus mūsų visatai joje yra terpė egzistuoti mums, o toje kosiminėje erdvėje yra... (more)
 PRADŽIA - tai instaliacija apie kūrybą, mano kūrybos pradžią. Nuo didžiojo sprogimo atsiradus mūsų visatai joje yra terpė egzistuoti mums, o toje kosiminėje erdvėje yra vieta ir kūrėjui, tapytojui (ne tik asmeniui). Mąstymai apie didžiąsias visatos paslaptis, apie mūsų vietą pasaulyje, apie kūrėjo, menininko poziciją, apie kūrinį, inspiraciją, - tai laukas, kuriame radosi šie darbai, kiekvienas iš jų nešantis informaciją apie tam tikrą kūrybos etapą, tam tikras kūrybos pradžios ištakas. Studijų metu siekiau konceptualaus temos pagrindimo: savo teoriniame darbe „Instaliacija konceptualiojo meno kontekste“ domėjausi konceptualizmo ištakomis it instaliacinais elementais. Konceptualūs ir technologiniai ieškojimai suformavo mano magistrantūros studijų temos turinį. Kūrybinio proceso pradedamoji stadija – pradžia – man yra gruntuojama drobė, šiuo atveju popierius, eskizavimas, meditatyvus buvimas studijoje su kūriniais ir darbo priemonėmis, eksperimentavimas: vinys paliekantys Kristaus kontūrus studijos sienoje, sapno įvaizdinimas ir pan. Temos turinį stengiausi perteikti ne tik vizualinėmis priemonėmis, bet ir ekspozicjos galimybėmis: kiekvieną naują erdvę apmąsčiusi darbus taikiau pagal diktuojamas erdvės technines ir emocines sąlygas. Nors ir tokios pačios tematikos, skirtingose erdvėse taikomi darbai perteikė ir papildomą informaciją, kaip, pavyzdžiui, Homo Ludens menų forume rodyta instaliacija „Pradžia. Tikėjimas“ buvo apie tikėjimo pradžią, jo pobūdį kiekvienam. Personalinės... [toliau žr. visą tekstą]
 It‘s an installation about creation, about my own ouvre. Ever since the Big Bang our universe is place where we egsist, and in this space we also have place for a crator, painter (not only as a person). Thoughts about the big wonders of the universe, about our position in the world, about creator‘s, artist‘s position, thinking about inspiration and creation, - this is the field in with these works were created, each of them bearing specific information about specific part of creation. Conceptual and technological research helped to form my master studies‘ concept. The beginning to me is new canvas, in this case paper, skeching, maditation in my studio space, being with my works and matterials, constant experimenting: nails that leave a trace of Jesus‘s figure on the wall, visualisation of a dream, etc. To express the content of my concept, I‘ve not only used visual measures, but also different expositions: thinking through every exposition space, I decided on individual expositions that expressed slightly different concept each time. Intuition, spontaneity, visual vaguesness, skechiness, etc. are very important in my work process. I try to avoid using very direct pictures, to me it‘s important to match visual and emotional perceptions.
 Advisors/Committee Members: Varkulevičienė, Jovita (Master’s thesis supervisor).
 Subjects/Keywords: Instaliacija; Konceptualus menas; Konceptualizmas; Installation; Conceptual art; Conceptualism
 Jakilaitytė, Julija. (2014). PRADŽIA . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111047-31626 ;
 Jakilaitytė, Julija. “PRADŽIA.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111047-31626 ;.
 Jakilaitytė, Julija. “PRADŽIA.” 2014. Web. 17 Jan 2019.
 Jakilaitytė, Julija. PRADŽIA. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111047-31626 ;.
 Jakilaitytė, Julija. PRADŽIA. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111047-31626 ;
 3. Daugirdaitė, Goda. Interaktyvus projektas. Forma ir faktūra.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111111-57108 ;
 Besiremdama Helmuto Renerto tyrimais, apie šizofrenijai būdingus piešinių požymius, sukūriau aštuonis interaktyvius paveikslus. Interaktyvus paveikslai – tai lyg ligos kintamumas, simptomų ar požymių judėjimas.
 Referring... (more)
 Referring Helmut Renert studies of schizophrenia-specific features drawings, created eight interactive images. Interactive images - it's like disease variability of symptoms or signs of movement.
 Advisors/Committee Members: Jakimavičius, Rytas (Master’s thesis supervisor), Sakalauskaitė, Elena (Master’s thesis reviewer).
 Subjects/Keywords: Šizofrenija; Interaktyvus projektas; Forma; Faktūra; Schiophrenia; Interactive project; Form; Texture
 Daugirdaitė, Goda. (2014). Interaktyvus projektas. Forma ir faktūra . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111111-57108 ;
 Daugirdaitė, Goda. “Interaktyvus projektas. Forma ir faktūra.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111111-57108 ;.
 Daugirdaitė, Goda. “Interaktyvus projektas. Forma ir faktūra.” 2014. Web. 17 Jan 2019.
 Daugirdaitė, Goda. Interaktyvus projektas. Forma ir faktūra. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111111-57108 ;.
 Daugirdaitė, Goda. Interaktyvus projektas. Forma ir faktūra. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111111-57108 ;
 4. Daugirdaitė, Goda. Meno terapija Lietuvoje. Teorijos ir praktikos.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111121-67501 ;
 Meno terapija – tai savęs pažinimo procesas bet kokia menine išraiška, kuri kyla iš emocinių gelmių. Meno terapija padeda mintis ir emocijas išreikšti vaizdais, muzikos... (more)
 Meno terapija – tai savęs pažinimo procesas bet kokia menine išraiška, kuri kyla iš emocinių gelmių. Meno terapija padeda mintis ir emocijas išreikšti vaizdais, muzikos garsais, šokio judesiais, o ne žodžiais. Svarbiausia – procesas ir žmogus. Menas naudojamas kaip priemonė komunikuoti, kaip būdas išsakyti nesuprastus jausmus.
 Art therapy - this self-discovery process in any artistic expression that stems from the emotional depths. Art therapy helps to express the thoughts and emotions of images, sounds, music, dance moves, and not the words. The most important thing - the process and the person. Art is used as a means of communication, as a way to express feelings misunderstood.
 Advisors/Committee Members: Blažiūnas, Juozapas (Master’s thesis supervisor), Junutytė, Laura (Master’s thesis reviewer).
 Subjects/Keywords: Meno terapija; Dailės terapija; Molis meno terapijoje; Art therapy; Clay in art therapy; Art therapy for autistic
 Daugirdaitė, Goda. (2014). Meno terapija Lietuvoje. Teorijos ir praktikos . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111121-67501 ;
 Daugirdaitė, Goda. “Meno terapija Lietuvoje. Teorijos ir praktikos.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111121-67501 ;.
 Daugirdaitė, Goda. “Meno terapija Lietuvoje. Teorijos ir praktikos.” 2014. Web. 17 Jan 2019.
 Daugirdaitė, Goda. Meno terapija Lietuvoje. Teorijos ir praktikos. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111121-67501 ;.
 Daugirdaitė, Goda. Meno terapija Lietuvoje. Teorijos ir praktikos. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_111121-67501 ;
 5. Gabalytė, Dovilė. DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112247-67953 ;
 Baigiamajame magistro darbe analizuojamos dizaino strategijos, jų teoriniai modeliai bei strategijų taikymas organizacijose. Analizuojamos paslaugų dizaino, design thinking , design doing teorijos, jų strateginiai žingsniai.... (more)
 Baigiamajame magistro darbe analizuojamos dizaino strategijos, jų teoriniai modeliai bei strategijų taikymas organizacijose. Analizuojamos paslaugų dizaino, design thinking , design doing teorijos, jų strateginiai žingsniai. Atliekama mokslinių literatūros šaltinių analizė, internetinių šaltinių analizė apimanti kompanijų profilius ir tarptautinius žurnalus. Praktinėje dalyje pateikiami empirinių tyrimų (anketinės apklausos, giluminio interviu, ekspertų vertinimo) metu gauti duomenys bei SWOT analizės rezultatai, dizaino strategija UAB ACME organizacijai bei jos naudingumo analizė. Baigiamąjį magistro darbą sudaro 4 dalys : probleminė, teorinė, tiriamoji ir praktinė probleminėje dalyje aptariamas dizaino strategijų naudingumas verslui, teorinėje dalyje pristatomi dizaino strategijų teoriniai modeliai, tiriamojoje dalyje analizuojami empiriniai tyrimai praktinėje pristatoma ir analizuojama dizaino strategija.
 Master thesis is oriented into analysis of design strategies and into creating design strategy for "ACME" organization. Thesis includes analysis of theoretical models of service design, design thinking, design doing. An empirical research and SWOT analysis is presented. Empirical research includes survey, follow up interview and experts survey. Practical part presents design strategy created for organization, based on theoretical analysis and results collected during research. Master thesis is oriented into analysing theoretical models and creating design strategy, evaluation of benefits of design strategy, deep analysis of organization and presenting practical plan.
 Advisors/Committee Members: Ambrusevič, Nikolaj (Master’s thesis supervisor), Dzemyda, Ignas (Master’s thesis reviewer), Pautienius, Aurimas (Master’s degree committee chair), Gedminas, Tomas (Master’s degree committee member), Brundza, Juozas (Master’s degree committee member), Kuizinienė, Ieva (Master’s degree committee member), Kavarskas, Edvardas (Master’s degree committee member), Jakaitė, Karolina (Master’s degree committee member), Žemaitytė, Gintautė (Master’s degree committee member).
 Subjects/Keywords: Dizaino strategija; Design thinking; Verslas; Dizainas; Design strategy; Design thinking; Business; Design
 Gabalytė, Dovilė. (2014). DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112247-67953 ;
 Gabalytė, Dovilė. “DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112247-67953 ;.
 Gabalytė, Dovilė. “DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU.” 2014. Web. 17 Jan 2019.
 Gabalytė, Dovilė. DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112247-67953 ;.
 Gabalytė, Dovilė. DIZAINO STRATEGIJOS KŪRIMAS PLĖTOJANT KOMPIUTERINIŲ PRIEDŲ VERSLĄ UAB „ACME“ PAVYZDŽIU. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112247-67953 ;
 6. Vidrinskaitė, Gabija. Fermo.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112534-65323 ;
 Kasdienis veiksmo kartojimas formos paieškų sėkmės labui tapo pagrindine darbo tema: ką daryti su vizualių bei rašytinių išraiškų kiekybe? Asmeniniai įrašai, atrinkti ir persipynę su... (more)
 Kasdienis veiksmo kartojimas formos paieškų sėkmės labui tapo pagrindine darbo tema: ką daryti su vizualių bei rašytinių išraiškų kiekybe? Asmeniniai įrašai, atrinkti ir persipynę su Paul Klee, Eugene Delacroix bei Edvard Munch dienoraščių analize autorei rūpimais aspektais, įgavo „Sąsiuvinio nr. 4“ – rašto darbo formą, bylojančią apie kūrybinių procesų įtakas ir ištakas. Estampai bei savaitiniai piešiniai susivienijo kolekcijoje „Fermo“, Išvertus iš Esperanto kalbos – uždarymas, baigimas. Baigiamasis darbas – tai neišvengiamai pasikartojančių vaizdinių ir verbalių išraiškų, surinktų paskutiniųjų mokslo metų Vilniaus dailės akademijoje metu, sintezė.
 The repetition of a daily action for the sake of luck in a form reaserch became the main problem of the work: what to do with the amount of visual and written expressions? Selected personal entries overlapped with Paul Klee, Eugene Delacroix and Edvard Munch diaries analysies gained a form of „Jounal nr. 4“ – a written work, pointing the interests and outflows of the working processes. The prints and weekly drawings united in a collection „Fermo“. The comlplete work is a sythesis of necesarilly repetitive pictorial and verbal expresions, collected during the last years of studies in Vilnius Academy of Arts.
 Advisors/Committee Members: Vasiliūnas, Kęstutis (Master’s thesis supervisor).
 Subjects/Keywords: Kasdienis veiksmo kartojimas; Formos paieška; Kiekybė; Uždarymas; Daily repeating task; Form research; Quantity; Closing
 Vidrinskaitė, Gabija. (2014). Fermo . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112534-65323 ;
 Vidrinskaitė, Gabija. “Fermo.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112534-65323 ;.
 Vidrinskaitė, Gabija. “Fermo.” 2014. Web. 17 Jan 2019.
 Vidrinskaitė, Gabija. Fermo. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112534-65323 ;.
 Vidrinskaitė, Gabija. Fermo. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112534-65323 ;
 7. Vidrinskaitė, Gabija. Dailininkų dienoraščiai. Sąsiuvinis Nr. 4.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112546-31369 ;
 Pasiklydau temų miške vieną dieną. Kiekviena smulkmena atrodė įdomi ir verta aptarimo... Kad suprasčiau, kas man iš tiesų rūpi, nusprendžiau rašyti dienoraštį. Susikūriau sau užduotį... (more)
 Pasiklydau temų miške vieną dieną. Kiekviena smulkmena atrodė įdomi ir verta aptarimo... Kad suprasčiau, kas man iš tiesų rūpi, nusprendžiau rašyti dienoraštį. Susikūriau sau užduotį – rašyti dienoraštį kas dieną ir taip visą mėnesį. Mėnesis praėjo, o karuselė vis dar sukosi. Reikėjo naujos užduoties... Išvažiavus į Švediją atlikti praktikos, užsivedžiau naują sąsiuvinį ir pildžiau jį du mėnesius. Praktika baigėsi, grįžau į savo šalį. Negalėjau nustoti rašiusi, jaučiau, jog tai mano darbo dalis. Kai sutikau tris žymius nepažįstamuosius – Eugenijų Delakrua, Paulių Klė ir Edvardą Munchą ir pradėjau skaityti jų dienoraščius, užsivedžiau naują sąsiuvinį ant viršelio užrašiusi „Nr. 4“. Šie dailininkai savo dienoraščiuose pasiūlė naujų žiūrėjimo taškų į savo pačios dienoraščio rašymą bei kūrybą. Tai buvo akstinas rūpestingam dailininko dienoraščio svarstymui.
 One day I felt lost in the forest of topics. Every single thing seemed to be interesting and worth to discuss... I decided to write a diary to understand what is the most important to me. I started with a task – to write a diary every day for a period of a month. The month ended, but the carousel was still spinning. I needed a new task. I was writing my second journal during the practice in foreign country for two months, also every day. The practice was finished – I could not stop writing – It was a part of my work I felt. I took a blank Journal and wrote "No. 4" on the cover when I met three famous strangers and started to read their diaries - Edvard Munch, Paul Klee and Eugene Delacroix. They offered me new perspectives on my own writing and working. It was the reason to start with a serious discussion about the diaries of artists.
 Advisors/Committee Members: Aleksandravičiūtė, Aleksandra (Master’s thesis supervisor).
 Subjects/Keywords: Dienoraštis; Dailininko dienoraštis; Kasdienis veiksmo kartojimas; Diary; Artist's diary; Daily repeating task
 Vidrinskaitė, Gabija. (2014). Dailininkų dienoraščiai. Sąsiuvinis Nr. 4 . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112546-31369 ;
 Vidrinskaitė, Gabija. “Dailininkų dienoraščiai. Sąsiuvinis Nr. 4.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112546-31369 ;.
 Vidrinskaitė, Gabija. “Dailininkų dienoraščiai. Sąsiuvinis Nr. 4.” 2014. Web. 17 Jan 2019.
 Vidrinskaitė, Gabija. Dailininkų dienoraščiai. Sąsiuvinis Nr. 4. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112546-31369 ;.
 Vidrinskaitė, Gabija. Dailininkų dienoraščiai. Sąsiuvinis Nr. 4. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_112546-31369 ;
 8. Siliūnaitė, Gretė. PASIKAPSTYMAI MEDŽIAGOJE.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114423-23596 ;
 Meninis tyrimas nagrinėja kūrybinį procesą, kurio atspirties tašku tampa kūrybinė krizė – idėjų nebūvimas, nežinojimas ir neapsisprendimas. Tema nagrinėjama išskiriant esminius elementus, kurie apsprendžia konkretų,... (more)
 Meninis tyrimas nagrinėja kūrybinį procesą, kurio atspirties tašku tampa kūrybinė krizė – idėjų nebūvimas, nežinojimas ir neapsisprendimas. Tema nagrinėjama išskiriant esminius elementus, kurie apsprendžia konkretų, mano kūrybinio grafikos projekto, kūrimo procesą magistrantūros studijų laikotarpiu. Šis tyrimas yra savo kūrybinio proceso stebėjimas ir analizavimas išskiriant pagrindinius individualaus kūrybinio proceso elementus ir juos nagrinėjant per teorinį diskursą ir asmeninę patirtį.
 Artistic research investigate creative process. The starting-point here is creative crisis - situation with no ideas, then artist feel confused and can not find a solution. I analyze the essentual elements of the subject. These elements determine the process of my particular project what I create during my postgraduate study period. This research based on self-examination and individual creative process in contemplation within the theoretical discourse and personal experience.
 Advisors/Committee Members: Dūda, Matas (Master’s thesis supervisor), Ludavičienė, Jurgita (Master’s thesis advisor).
 Subjects/Keywords: Kūryba; Grafika; Klišė; Medžiaga; Creation; Graphic; Clishe; Material
 Siliūnaitė, Gretė. (2014). PASIKAPSTYMAI MEDŽIAGOJE . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114423-23596 ;
 Siliūnaitė, Gretė. “PASIKAPSTYMAI MEDŽIAGOJE.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114423-23596 ;.
 Siliūnaitė, Gretė. “PASIKAPSTYMAI MEDŽIAGOJE.” 2014. Web. 17 Jan 2019.
 Siliūnaitė, Gretė. PASIKAPSTYMAI MEDŽIAGOJE. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114423-23596 ;.
 Siliūnaitė, Gretė. PASIKAPSTYMAI MEDŽIAGOJE. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114423-23596 ;
 9. Ridzvanavičiūtė, Ieva. Dizaino edukacijos gerinimo galimybės Lietuvos mokyklose. „Dizaino receptų“ analizė.
 Ridzvanavičiūtė, Ieva. “Dizaino edukacijos gerinimo galimybės Lietuvos mokyklose. „Dizaino receptų“ analizė.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114435-68238 ;.
 Ridzvanavičiūtė, Ieva. “Dizaino edukacijos gerinimo galimybės Lietuvos mokyklose. „Dizaino receptų“ analizė.” 2014. Web. 17 Jan 2019.
 Ridzvanavičiūtė I. Dizaino edukacijos gerinimo galimybės Lietuvos mokyklose. „Dizaino receptų“ analizė. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114435-68238 ;.
 10. Cimnolonskaitė, Rūta. Projektas "Auga".
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114534-69789 ;
 Mus supanti aplinka, joje esantys daiktai, baldai ir kiti objektai, daro didžiulę įtaką kiekvieno žmogaus gyvenimo procesams. O kiekvienas žmogaus atliekamas procesas turi atitinkamas priežastis.... (more)
 Mus supanti aplinka, joje esantys daiktai, baldai ir kiti objektai, daro didžiulę įtaką kiekvieno žmogaus gyvenimo procesams. O kiekvienas žmogaus atliekamas procesas turi atitinkamas priežastis. Lygiai taip pat yra ir su aplinka, kuri supa kiekvieną iš mūsų. Daiktas nėra tik paprastas objektas/aplinkos sudedamoji dalis. Kiekvieno iš jų atsiradimo priežastis pasąmoningai paaiškinamos noru, o pastarąjį formuoja atitinkamas poreikis. Poreikis – pats savaime yra vidinio psichologinio ar socialinio trūkumo jausmas. Tuomet, kai žmogus įsisavina/supranta ko jam trūksta, jis ima ieškoti atitinkamo būdo kaip šį „alkį” nuslopinti ar patenkinti. 1943 m. amerikiečių psichologas Abraham Harold Maslow plačiajai visuomenei pristatė struktūrizuotą žmogaus poreikių piramidę, kurios viršūnėje atsidūrė individo poreikis saviraiškai/savęs aktualizavimui. Nepaisant to, kad tik pasirodžiusi A. H. Maslow teorija susilaukė begalės griežtos kritikos už nelankstumą bei schematiškumą, šis žmonių neabejingumas jai, tik dar labiau pagrindė jos sudedamųjų dalių svarbą kiekvieno individo gyvenime. Žmogaus poreikių tema, o ypač kūrybiškumo/individualumo aktualumas šiame postmoderniajame amžiuje įgauna didžiulį pagreitį. Sniego gniūžtė pradėjo ridėti nuo kalno viršūnės ir išvystė didžiulį greitį. Tačiau ar gali būti taip, kad šiandien individas vis dar suvokiamas tik kaip sociali būtybė, kurios pasirinkimus koordinuoja galingi socialinio gyvenimo mechanizmai? O galbūt, jau visas pramonės šakas apėmusioje... [toliau žr. visą tekstą]
 The surrounding environment, it contains, furniture and other objects that make a huge impact on every person's life processes. And every human process to have the appropriate reason. Just as it is with the environment that surrounds each of us. A thing is not just a simple object / environmental component. Each of these causes subconsciously explained voluntarily, and the last form the corresponding demand. Need - itself an internal psychological or social lack of feeling. Then, when the man caught up / understand what he is missing, he begins to look for an appropriate way to the "hunger" to suppress or meet. In 1943. American psychologist Abraham Maslow Harold general public, the structured pyramid of human needs, which ended up on top of the individual need for self-expression / self-actualization. Despite the fact that only featured AH Maslow's theory has received dozens of heavily criticized for inflexibility and sketchiness, the human-indifference to her, even more substantiated the importance of the components of each individual's life. The human needs of the subject, and especially creativity / individuality relevance in the postmodern era is gaining tremendous momentum. Snowball started dd on a hilltop and has developed a tremendous speed.
 Advisors/Committee Members: Baginskas, Tadas (Master’s thesis supervisor).
 Subjects/Keywords: Dizainas; Lietuvos baldų pramonė; Vartotojo individualumo poreikis; Design; Furniture design; Creativity
 Cimnolonskaitė, R. (2014). Projektas "Auga" . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114534-69789 ;
 Cimnolonskaitė, Rūta. “Projektas "Auga".” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114534-69789 ;.
 Cimnolonskaitė, Rūta. “Projektas "Auga".” 2014. Web. 17 Jan 2019.
 Cimnolonskaitė R. Projektas "Auga". [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114534-69789 ;.
 Cimnolonskaitė R. Projektas "Auga". [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114534-69789 ;
 11. Cimnolonskaitė, Rūta. VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE.
 Degree: Master, Sociology, 2014, Vilnius Academy of Fine Arts
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114546-98119 ;
 Magistro darbas individualumo ir kūrybiškumo poreikis Lietuvos baldų dizaino pramonėje” tiria daiktinės aplinkos įtaką kasdieniam žmogaus gyvenimui, jo kūrybiškumui, bei vartotojiškų savybių formavimui.Vartotojiškumo tema plačiai... (more)
 Magistro darbas individualumo ir kūrybiškumo poreikis Lietuvos baldų dizaino pramonėje” tiria daiktinės aplinkos įtaką kasdieniam žmogaus gyvenimui, jo kūrybiškumui, bei vartotojiškų savybių formavimui.Vartotojiškumo tema plačiai ištyrinėta sociologiniais ir filosofiniais aspektais, tačiau kūrybiškumo temos tyrimai pradėti prieš keletą dešimtmečių, bet nei pasaulyje, nei Lietuvoje neprieita bendros nuomonės kuri apibūdintų kūrybiškumo raiškos ypatumus mokyklinio amžiaus vaiko pasaulyje. Kita vertus, vienareikšmiškai sutinkama, kad jaunuolio kūrybiškai saviraiškai bene didžiausią reikšmę turi ne vien tik auklėjimo sistema, bet ir gyvenamoji aplinka. Mus supanti aplinka vienas svarbiausių kūrybinio proceso aspektų. Lietuvai tapus Europos sąjungos nare pastebimas akivaizdus ekonominių, bei socialinių santykių pasikeitimas, spartus technologinis tobulėjimas skatina didesnį žinių srautą kuris iššaukia didesnį vartojimą. Postmoderniojivisuomenė, pamažu virsdama vartotojų visuomene, vis daugiau dėmesio skiria ilgalaikių jaunuolio gebėjimų augimui, todėl ypač didėja susidomėjimas ankstyvąja vaiko raida, jo individualumo lavinimu. Gyvenimo būdo kaita suponuoja paruošti jaunuolį kiek kitokiai ateičiai, kurioje, tikėtina, bus lemiamas kūrėjo, o ne vartotojo vaidmuo. Dabartinė padėtis Lietuvos vaikiškų baldų pramonėje paskatino atkreipti dėmesį į šios problemos aktualumą. Siekiant lavinti vaikų mąstymą ir skatinti jų individualumo vystymąsi reikia jiems sukurti atitinkamą aplinką kuri... [toliau žr. visą tekstą]
 Master thesis of individuality and creativity need Lithuanian furniture design industry is investigating the environmental impact of material daily human life, his creativity, and qualities are widely researched topic formavimui.Vartotojiškumo sociological and philosophical aspects, but the themes of creativity research to start a few decades ago, but neither the world nor Lithuania failed to come to a common opinion that described creativity in expression of the school-age child in the world. On the other hand, it is explicitly agreed that a young man's creative self-expression is mostly influenced not only by the (education/upbringing) system, but also by the living environment. The surrounding environment is one of the most important aspects of the creative process. The young man’s room furniture comparative analysis is displayed further. Surveys are done in which consumer’s demand for a product is discovered. After summarizing all of the results, it is possible to offer efficient and modern design solutions for school-age children. Practical work: individuality promoting young man’s room furniture. Easily transformed objects for easy personalization, creativity and the promotion of life-cycle extension are (offered) based on the theoretical work(’s) results.
 Магистерская диссертация индивидуальности и творчества нужно Литовский дизайн мебели промышленность расследует воздействие на окружающую среду материальной повседневной жизни человека, его творчества, и качеств широко исследовал тему...
 Subjects/Keywords: Dizainas; Lietuvos baldų pramonė; Vartotojo individualumo poreikis; Furniture design; Individuality needs; Dizainas; Lietuvos baldų pramonė; vartotojo individualumo poreikis
 Cimnolonskaitė, R. (2014). VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114546-98119 ;
 Cimnolonskaitė, Rūta. “VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114546-98119 ;.
 Cimnolonskaitė, Rūta. “VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE.” 2014. Web. 17 Jan 2019.
 Cimnolonskaitė R. VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114546-98119 ;.
 Cimnolonskaitė R. VARTOTOJO INDIVIDUALUMO IR KŪRYBIŠKUMO POREIKIS BALDŲ DIZAINO KONTEKSTE. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_114546-98119 ;
 12. Voverytė, Aistė. "Neužmirštuolės".
 Voverytė, Aistė. “"Neužmirštuolės".” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_134011-68179 ;.
 Voverytė, Aistė. “"Neužmirštuolės".” 2014. Web. 17 Jan 2019.
 Voverytė, Aistė. "Neužmirštuolės". [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_134011-68179 ;.
 13. Vyšniauskaitė, Augustė. Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144055-87713 ;
 Baigiamasis magistro darbas yra skirtas naujo dizaino produkto įvedimo į rinką strategijos bei verslo plano parengimui, analizuojant „nida raincoat“ prekės ženklo atvejį. Darbe yra apžvelgiama... (more)
 Baigiamasis magistro darbas yra skirtas naujo dizaino produkto įvedimo į rinką strategijos bei verslo plano parengimui, analizuojant „nida raincoat“ prekės ženklo atvejį. Darbe yra apžvelgiama mokslinė bei kita literatūra, siekiant apibendrinti naujo dizaino produkto, verslo plano bei strategijų rengimo ir taikymo teorinę medžiagą. Konkurencinės bei išorinės aplinkos apžvalgai pasirinktos SWOT (SSGG) ir PEST analizės. O nagrinėjant „nida raincoat“ dizaino produkto įvedimo į rinką konkurenciniam sėkmingumui įtakos turinčius aspektus, pasitelkiamas anketinės apklausos tyrimo metodas. Analizuojant „nida raincoat“ prekės ženklo strategijos kūrimo ir diegimo elementus, naudojami giluminio interviu bei ekspertų apklausos metodai. Remiantis atliktais tyrimais, pateikiama „nida raincoat“ prekės ženklo strategija, kurios finansinė sėkmė yra nustatoma, pasitelkiant lūžio taško metodą. Baigiamąjį darbą sudaro 4 dalys: probleminė, teorinė, tiriamoji bei praktinė. Pirmojoje dalyje yra aptariama naujo dizaino ir verslo plano svarba, įvedant naują dizaino produktą į rinką. Taipogi, apžvelgiama naujo dizaino drabužių įvedimo į rinką specifiniai aspektai. Antroje dalyje aprašomi naujo dizaino produkto, jo kūrimo eigos, tradicinių strategijų, verslo plano rengimo bei empirinių tyrimų metodų teoriniai aspektai. Trečioje, tiriamojoje dalyje analizuojami „nida raincoat“ atnaujinto dizaino produkto įvedimo į rinką praktiniai elementai bei empirinių tyrimų rezultatai. Paskutinėje, praktinėje darbo... [toliau žr. visą tekstą]
 The final master‘s thesis is written to prepare business plan and strategy for a new design product introduction to the market, analyzing “nida raincoat” case study. In case to summarize academic material of new design product, business plan and strategies, was made a review of nonfiction and other literature. SWOT and PEST analysis were chosen to review competitive and macro-environmental aspects. In case to research “nida raincoat” design product introduction to the market competitive ability, invoked the questionnaire survey. Analyzing “nida raincoat” brand elements of strategy creation and development, are used follow-up interview and experts’ survey. “nida raincoat” brand strategy is presented with reference to accomplished research. Break-even point method is used to evaluate strategy’s financial success. The final thesis structure is made of 4 parts: problematic, theoretical, exploratory and practical. In first part is disputed the importance of new design and business plan, when new design product is introduced to the market. Also, is made a review of specific aspects of new design clothes introduction to the market. In the second part is described theoretical material of new design product development process, traditional strategies, business plan arrangement and empirical analysis methods. In third, exploratory part, are analyzed the practical elements of “nida raincoat” modificated product introduction to the market and empirical analysis results. In the last,... [to full text]
 Advisors/Committee Members: Ambrusevič, Nikolaj (Master’s thesis supervisor).
 Subjects/Keywords: Naujo dizaino produktas; Verslo planas; Strategija; Prekės ženklas; New design product; Business plan; Strategy; Brand
 Vyšniauskaitė, Augustė. (2014). Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144055-87713 ;
 Vyšniauskaitė, Augustė. “Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144055-87713 ;.
 Vyšniauskaitė, Augustė. “Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė.” 2014. Web. 17 Jan 2019.
 Vyšniauskaitė, Augustė. Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144055-87713 ;.
 Vyšniauskaitė, Augustė. Naujo dizaino produkto įvedimas į rinką. "nida raincoat" atvejo analizė. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144055-87713 ;
 14. Vaitkevičiūtė, Lina. Rinktis nesirinkti.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144131-96692 ;
 Šis kūrinys yra apie tikslą, jo siekimą, vertę jo siekti bei apie pritapimą, vertę pritapti. Pateikti video darbai kalba apie vidinę būseną, kai kažkas daroma... (more)
 Šis kūrinys yra apie tikslą, jo siekimą, vertę jo siekti bei apie pritapimą, vertę pritapti. Pateikti video darbai kalba apie vidinę būseną, kai kažkas daroma tik todėl, kad taip reikia daryti, todėl, kad tiesiog tai – tavo rutina. Kalbama apie nuolatinį „užsisukimą“ – nuolatinį absurdišką kartojimąsi, diena iš dienos. Taip pat apie siekimą padaryti kažką, kai tas kažkas yra kintantis dalykas, o darymas – ne.
 This piece is about the purpose of the pursuit of the value of his reach, and about fitting into the value of adapt. The video works on the internal state of the language, when something is done just because you need to do so, because it is simply - your routine. This is a permanent "twisted" - constant repetition of absurd, day-to-day. It's also about striving to do something when that something is a dynamic thing, and doing - not.
 Advisors/Committee Members: Bogdanas, Konstantinas (Master’s thesis supervisor).
 Subjects/Keywords: Pritapti; Tikslas; Rinktis; Belong; Goal; Choose
 Vaitkevičiūtė, Lina. (2014). Rinktis nesirinkti . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144131-96692 ;
 Vaitkevičiūtė, Lina. “Rinktis nesirinkti.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144131-96692 ;.
 Vaitkevičiūtė, Lina. “Rinktis nesirinkti.” 2014. Web. 17 Jan 2019.
 Vaitkevičiūtė, Lina. Rinktis nesirinkti. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144131-96692 ;.
 Vaitkevičiūtė, Lina. Rinktis nesirinkti. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144131-96692 ;
 15. Vaitkevičiūtė, Lina. [Ne]pritapimas. Paisirnkimo beieškant.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144143-75830 ;
 Šis kūrinys yra apie tikslą, jo siekimą, vertę jo siekti bei apie pritapimą, vertę pritapti. Kalbama apie vidinę būseną, kai kažkas daroma tik todėl, kad... (more)
 Šis kūrinys yra apie tikslą, jo siekimą, vertę jo siekti bei apie pritapimą, vertę pritapti. Kalbama apie vidinę būseną, kai kažkas daroma tik todėl, kad taip reikia daryti, todėl, kad tiesiog tai – tavo rutina. Kalbama apie nuolatinį „užsisukimą“ – nuolatinį absurdišką kartojimąsi, diena iš dienos. Taip pat apie siekimą padaryti kažką, kai tas kažkas yra kintantis dalykas, o darymas – ne. Teorinis darbas „[Ne]pritapimas. Pasirinkimo beieškant“ yra skirtas žmogui, mąstančiam apie savo galimybes. Žmogui, kuris nenori plaukti pasroviui, o bando ieškoti savo sprendimų. Taip darbas kalba apie tikslo siekimo, pasirinkimo galimybes. Jame analizuojama praktinio darbo „Rinktis nesirinkti“ dalys, tokiu būdu tiriant, kiek yra tikslinga rinktis, ar verta rinktis ir ar apskritai yra tokia galimybė rinktis. Taip pat ir su pritapimu – darbas analizuoja svarbą pritapti prie visuomenės ir jausmą pritapus ar ne. Darbais skatinama susimąstyti, ką pats žiūrovas yra pasirinikęs ir kaip su tuo susigyveno, jaučiasi.
 This piece is about the purpose of the pursuit of the value of his reach , and about fitting into the value of adapt . Jobs talks about the internal state of doing something just because you need to do so , because it is simply - your routine. This is a permanent " twisted " - constant repetition of absurd , day -to-day . It's also about striving to do something when that something is a dynamic thing , and doing - not. Work " choose not to choose " is created for a man who was thinking , what he seeks in his life. Is aware that since the birth of human life starts to follow, and not just settle . A person who seeks to create your own life choices and doubts . This is for the man who was thinking about his options. For someone who does not want to swim downstream while trying to search for their solutions. This work speaks about goal achievement , choice . It analyzes the practical work " Choose not to choose " parts, thus investigating the extent it is appropriate to choose whether or not to choose , and whether there is a choice . Also with fitting in - work examines the importance of fit in to society and a sense of fit in or not. Given incentives to wonder what the viewer is chosen and how that has settled feel .
 Advisors/Committee Members: Liutkus, Viktoras (Master’s thesis supervisor), Ulčickaitė, Eglė (Master’s thesis reviewer), Kyzikaitė, Jolanta (Master’s thesis advisor).
 Vaitkevičiūtė, Lina. (2014). [Ne]pritapimas. Paisirnkimo beieškant . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144143-75830 ;
 Vaitkevičiūtė, Lina. “[Ne]pritapimas. Paisirnkimo beieškant.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144143-75830 ;.
 Vaitkevičiūtė, Lina. “[Ne]pritapimas. Paisirnkimo beieškant.” 2014. Web. 17 Jan 2019.
 Vaitkevičiūtė, Lina. [Ne]pritapimas. Paisirnkimo beieškant. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144143-75830 ;.
 Vaitkevičiūtė, Lina. [Ne]pritapimas. Paisirnkimo beieškant. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144143-75830 ;
 16. Lakhtionova, Juliia. Современное украинское искусство как катализатор трансформации общества.
 Lakhtionova, Juliia. “Современное украинское искусство как катализатор трансформации общества.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144209-77466 ;.
 Lakhtionova, Juliia. “Современное украинское искусство как катализатор трансформации общества.” 2014. Web. 17 Jan 2019.
 Lakhtionova, Juliia. Современное украинское искусство как катализатор трансформации общества. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144209-77466 ;.
 17. Zymonaitė, Justina. Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144221-77920 ;
 XX amžiaus antroje pusėje juvelyrikai priartėjus prie kitų vaizduojamojo meno rūšių, papuošalui tapus meno kūriniu, išreiškiančiu individualią kūrėjo poziciją, ir pradėjus rengti specializuotas juvelyrikos parodas,... (more)
 XX amžiaus antroje pusėje juvelyrikai priartėjus prie kitų vaizduojamojo meno rūšių, papuošalui tapus meno kūriniu, išreiškiančiu individualią kūrėjo poziciją, ir pradėjus rengti specializuotas juvelyrikos parodas, iškilo juvelyrikos eksponavimo reikšmė. Problematiškumas slypi srities specifikoje (dažnai maži mąsteliai, brangių medžiagų naudojimas) bei santykyje su kūnu, nes dėvėjimas yra esminis papuošalo suvokimui. Todėl įprastas juvelyrikos eksponavimas stiklinėse vitrinose netenkina juvelyrikos, kuriamos postmodernaus meno principais. Darbo tikslas – išanalizuoti galimas meninės juvelyrikos eksponavimo strategijas pasitelkiant trumpalaikių meninės juvelyrikos parodų pavyzdžius iš Lietuvos bei užsienio nuo XX a. 8 dešimtmečio iki šių dienų. Tyrimas nėra istorinio pobūdžio: juvelyrikos parodos nėra analizuojamos chronologiniu principu ar kaip vientisas reiškinys, procesas, kuriame galima užfiksuoti tam tikrą raidą. Nagrinėjamos trumpalaikės personalinės ir grupinės juvelyrikos parodos, nes jose gali būti įgyvendinti tokie ekspoziciniai sprendimai, kurie netinkami ilgalaikėms muziejų ekspozicijoms. Tyrimu siekiama išsiaiškinti, kaip juvelyrikos eksponavimas veikia pačių kūrinių supratimą, priėmimą ir turinį, kokios skirtingos juvelyrikos eksponavimo praktikos naudojamos, koks yra žiūrovo ryšys su papuošalu parodos metu bei kaip skirtingi eksponavimo būdai lemia šį ryšį, koks žiūrovo santykis su ekspozicija. Magistrinio darbo struktūra paremta skirtingų juvelyrikos parodose... [toliau žr. visą tekstą]
 Contemporary jewellery cannot be dissociated from developments in the fine art. In the second part of the 20th century jewellery started to be considered as an art form which can express the individuality of an artist. During that time the first specialized jewellery exhibitions were held and since then the attention was drawn to the importance of how objects are displayed in the exhibition. What makes exhibiting jewellery difficult is its connection to the body - wearability is the essence of it. In addition, usually jewellery is small scale and made of precious materials. As a result, typical showcases made of glass are no longer satisfying for displaying art jewellery. The aim of this research is to analyze possible strategies of how art jewellery can be presented. The examples of temporary jewellery exhibitions, both personal and group, from Lithuania and abroad from the 1970s to the present are included. The research is not historical and based on chronology, jewellery exhibitions are not seen as a continuous phenomenon with clear evolution. Temporary exhibitions offer a possibility of to putting into practice such display solutions which would not be suitable for permanent museum displays. This paper looks into the questions such as what kind of different display strategies are used to exhibit jewellery, how the display affects the perception of the artworks, what the relation between the viewer and the jewellery work in the exhibition is, how display influences this... [to full text]
 Advisors/Committee Members: Pileckaitė, Rūta (Master’s thesis supervisor), Ludavičienė, Jurgita (Master’s thesis reviewer), Karatajienė, Dalia (Master’s degree committee chair), Michelkevičius, Vytautas (Master’s degree committee member), Jankevičiūtė, Giedrė (Master’s degree committee member), Grigoravičienė, Erika (Master’s degree committee member), Šabasevičius, Helmutas (Master’s degree committee member), Jablonskienė, Lolita (Master’s degree committee member).
 Subjects/Keywords: Juvelyrika; Juvelyrikos eksponavimas; Juvelyrikos parodos; Eksponavimo strategijos; Jewellery; Jewellery exhibitions; Displaying jewellery; Exhibition design
 Zymonaitė, Justina. (2014). Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144221-77920 ;
 Zymonaitė, Justina. “Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144221-77920 ;.
 Zymonaitė, Justina. “Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr.” 2014. Web. 17 Jan 2019.
 Zymonaitė, Justina. Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144221-77920 ;.
 Zymonaitė, Justina. Meninės juvelyrikos eksponavimo praktikos XX a. pab. – XXI a. pr. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144221-77920 ;
 18. Bužinskaitė, Ugnė. VILNIAUS DAILĖS AKADEMIJOS VAIDMUO SKATINANT SĖKMINGĄ VIZUALIŲJŲ MENŲ STUDENTŲ INTEGRACIJĄ Į ŠIUOLAIKINIO MENO RINKĄ.
 Bužinskaitė, Ugnė. “VILNIAUS DAILĖS AKADEMIJOS VAIDMUO SKATINANT SĖKMINGĄ VIZUALIŲJŲ MENŲ STUDENTŲ INTEGRACIJĄ Į ŠIUOLAIKINIO MENO RINKĄ.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144410-38608 ;.
 Bužinskaitė, Ugnė. “VILNIAUS DAILĖS AKADEMIJOS VAIDMUO SKATINANT SĖKMINGĄ VIZUALIŲJŲ MENŲ STUDENTŲ INTEGRACIJĄ Į ŠIUOLAIKINIO MENO RINKĄ.” 2014. Web. 17 Jan 2019.
 Bužinskaitė, Ugnė. VILNIAUS DAILĖS AKADEMIJOS VAIDMUO SKATINANT SĖKMINGĄ VIZUALIŲJŲ MENŲ STUDENTŲ INTEGRACIJĄ Į ŠIUOLAIKINIO MENO RINKĄ. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144410-38608 ;.
 19. Glinskytė, Akvilė. Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144422-67611 ;
 Šis reljefas „Arklių lenktynės“ yra skulptoriaus Gedimino Jokūbonio diplominis darbas, sukurtas 1952 m. Dėl netinkamų laikymo sąlygų lauke, gipsinis reljefas buvo blogos būklės. Restauravimo metu... (more)
 Šis reljefas „Arklių lenktynės“ yra skulptoriaus Gedimino Jokūbonio diplominis darbas, sukurtas 1952 m. Dėl netinkamų laikymo sąlygų lauke, gipsinis reljefas buvo blogos būklės. Restauravimo metu darbas nuvalytas, antiseptikuotas, suklijuotas, pagamintas tvirtas metalinis rėmas, atliktas antikorozinis metalo armatūros apdorojimas, atkurtos netektys, sutankintas poringas gipso paviršius.
 This relief „Horse race“ is a graduation work by Gediminas Jokūbonis made in 1952. Due to unsuited outside storing conditions the gypsum relief was in bad shape. The artwork was cleaned, antisepted, glued; a strong metal frame added; anti corrosive treatment applied to the metal armature; loses reconstructed; the porous gypsum surface densened.
 Advisors/Committee Members: Milašius, Saulius (Master’s thesis supervisor), Glinskytė, Rūta (Master’s thesis reviewer).
 Subjects/Keywords: Gediminas Jokūbonis; Restauracija; Reljefas; Arklių lenktynės; Gediminas Jokūbonis; Restoration; Relief; Horse racing
 Glinskytė, Akvilė. (2014). Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144422-67611 ;
 Glinskytė, Akvilė. “Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144422-67611 ;.
 Glinskytė, Akvilė. “Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas.” 2014. Web. 17 Jan 2019.
 Glinskytė, Akvilė. Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144422-67611 ;.
 Glinskytė, Akvilė. Gedimino Jokūbonio reljefo „Arklių lenktynės“ restauravimas, dalinis atkūrimas. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144422-67611 ;
 20. Glinskytė, Akvilė. Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144446-01493 ;
 Istorinėse Vilniaus Bernardinų kapinėse paminklai su angelų skulptūromis yra įrašyti į kultūros paveldo registrą kaip objektai, sudarantys Bernardinų kapinių kompleksą. Pagrindinis šio tyrimo tikslas yra... (more)
 Istorinėse Vilniaus Bernardinų kapinėse paminklai su angelų skulptūromis yra įrašyti į kultūros paveldo registrą kaip objektai, sudarantys Bernardinų kapinių kompleksą. Pagrindinis šio tyrimo tikslas yra sukaupti medžiagą ir papildyti turimas žinias apie angelų skulptūras istorinėse Bernardinų kapinėse, jų restauravimo patirtį. Šiame tyrime apžvelgtos, įvertintos ir aprašytos Vilniaus Bernardinų kapinėse antkapius puošiančios angelų skulptūrų medžiagos, esama fizinė būklė bei skulptūrų tvarkybos poreikiai, teikiami siūlymai. Parašomos turimos žinios apie palaidotus asmenis. Pirmame šio darbo skyriuje trumpai apžvelgiama Bernardinų kapinių istorija, restauravimo patirtis. Antrame skyriuje dėmesys koncentruojamas į antkapiniuose paminkluose vaizduojamų angelų skulptūrų paveldosauginį ir paveldotvarkinį aspektą. Trečiajame skyriuje rašomos trumpos išvados apie fizinę paminklų būklę ir restauravimo ar konservavimo poreikį, menininis vertinimas mano, kaip restauratorės, požiūriu. Nors didžioji dalis skulptūrų yra geros būklės ir yra atlikti atskirų objektų restauravimo darbai, visoms reikalinga priežiūra ar tolesnis konservavimas. Manytina, kad šis tyrimas galėtų būti naudingas restauratoriams, studentams, ketinantiems praktikuotis restauravimo srityje, dirbant prie antkapinių paminklų.
 Tombstones with angelic figures of historic Bernardinai cemetery in Vilnius are entered into the list of cultural heritage, as objects of Bernardinai cemetery ensemble. The primary aim of this study is to collect data and to add to the existing knowledge about angelic sculptures and their restoration experience in the historic Bernardinai cemetery. This study involves reviews of angelic sculptures decorating tombstones of Bernardinai cemetery, review of their physical condition and restoration requirements, suggestions. First chapter of the study consist of a short review of the history of Bernardinai cemetery and its restoration experience. The second chapter concentrates on heritage protection and restoration aspect of the angelic sculptures in tombstones. Third chapter consists of short findings about the physical condition of tombstones and need of their restoration or conservation, also their artistic evaluation by me, as a restaurateur. Although most of the sculptures are in good condition and the required restoration works for some of them are done, all of them need further inspection or conservation. This study could be useful to restaurateurs, students who are planning to practice restoration or work with tombstone monuments.
 Advisors/Committee Members: Glemža, Jonas Rimantas (Master’s thesis supervisor), Klajumienė, Dalia (Master’s thesis reviewer), Klajumienė, Dalia (Master’s thesis advisor).
 Subjects/Keywords: Angelų skulptūros; Paminklai; Bernardinų istorinės kapinės; Angelic figures; Tombstones; Historic Bernardinai cemetery
 Glinskytė, Akvilė. (2014). Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144446-01493 ;
 Glinskytė, Akvilė. “Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144446-01493 ;.
 Glinskytė, Akvilė. “Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse.” 2014. Web. 17 Jan 2019.
 Glinskytė, Akvilė. Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144446-01493 ;.
 Glinskytė, Akvilė. Magistrinio baigiamojo darbo teorinė dalis Angelų skulptūros Vilniaus Bernardinų istorinėse kapinėse. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144446-01493 ;
 21. Knabikaitė, Indrė. Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151 ;
 Magistro kvalifikaciniame darbe analizuojama 1960 - 1970 metų mada Lietuvoje. Darbo tikslas išanalizavus septintojo dešimtmečio Vakarų Europos ir sovietinės mados tendencijas, naudojant lyginamosios analizės metodą,... (more)
 Magistro kvalifikaciniame darbe analizuojama 1960 - 1970 metų mada Lietuvoje. Darbo tikslas išanalizavus septintojo dešimtmečio Vakarų Europos ir sovietinės mados tendencijas, naudojant lyginamosios analizės metodą, palyginti su Lietuvoje vyravusiomis ir nustatyti jų transformacijos priežastis. Atlikta mokslinės literatūros analizė ir empirinis tyrimas iš esmės patvirtino darbe iškeltą hipotezę - madų tendencijos Lietuvoje atsiliko (laiko atžvilgiu) nuo Vakarų Europos, jaučiamas šių madų tendencijų skirtumas, atkeliavusios iš Vakarų Europos madų tendencijos Lietuvoje transformavosi.
 There is analysing 1960 - 1970 years Lithuanian fashion trends in this master qualification work. Aim of work is analysing seventh decade West Europe's and Soviet fashion ruling trends, using comparative analysis method, compared to Lithuanian and to set the causes of this transformation. An analysis of scientific literature and an empirical study in principle approved the hypothesis in this work that the fashion trends in Lithuania felt behind (by time) comparing to West Europe's, appreciable the difference between West Europe's and Soviet fashion trends and the trends which came from West to Lithuania transformed.
 Advisors/Committee Members: Liepuonius, Arvydas (Master’s thesis supervisor), Žilinskaitė, Viktorija (Master’s thesis reviewer), Maldutienė, Renata (Master’s thesis advisor), Vazalinskienė, Jolanta (Master’s degree committee chair).
 Subjects/Keywords: Mada; Mados tendencijos; Tendencijų transformacija; Septintasis dešimtmetis; Fashion; Fashion trends; Fashion transformation; Seventh decade
 Knabikaitė, Indrė. (2014). Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151 ;
 Knabikaitė, Indrė. “Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151 ;.
 Knabikaitė, Indrė. “Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje.” 2014. Web. 17 Jan 2019.
 Knabikaitė, Indrė. Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151 ;.
 Knabikaitė, Indrė. Vakarų Europos ir sovietinės mados sankirta 1960 - 1970 metais Lietuvoje. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145404-61151 ;
 22. Šulikovska, Inga. Konceptualus projektas „Kultūros indeksas".
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145415-10629 ;
 Projektas „Kultūros indeksas” yra dviejų valstybių kultūrų atspindys. Projekte siekiama apjungti tris kultūrines dimensijas – istoriją, politiką ir meną, norint parodyti jų svarbą formuojant bendrą... (more)
 Projektas „Kultūros indeksas” yra dviejų valstybių kultūrų atspindys. Projekte siekiama apjungti tris kultūrines dimensijas – istoriją, politiką ir meną, norint parodyti jų svarbą formuojant bendrą šalies „portretą”.
 Project “Culture Index” is a reflection of two different countries cultures. This project aims to combine three cultural dimensions - history, politics and art, in order to show their importance in overall portrait of the country.
 Advisors/Committee Members: Lisauskienė, Aušra (Master’s thesis supervisor), Gaižauskas, Aurimas (Master’s thesis reviewer), Liškevičienė, Jolita (Master’s degree committee chair), Klimas, Audrius (Master’s degree committee member), Lisauskienė, Aušra (Master’s degree committee member), Kibildienė , Miglė (Master’s degree committee member), Vazalinskienė, Jolanta (Master’s degree committee member), Liškevičienė, Jolita (Master’s degree committee member), Kepežinskas, Rimvydas (Master’s degree committee member), Lisauskaitė, Giedrė (Master’s degree committee member), Bartkus, Marius (Master’s degree committee member).
 Subjects/Keywords: Kultūra; Lietuva; Olandija; Indeksas; Culture; Lithuania; Netherland; Index
 Šulikovska, Inga. (2014). Konceptualus projektas „Kultūros indeksas" . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145415-10629 ;
 Šulikovska, Inga. “Konceptualus projektas „Kultūros indeksas".” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145415-10629 ;.
 Šulikovska, Inga. “Konceptualus projektas „Kultūros indeksas".” 2014. Web. 17 Jan 2019.
 Šulikovska, Inga. Konceptualus projektas „Kultūros indeksas". [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145415-10629 ;.
 Šulikovska, Inga. Konceptualus projektas „Kultūros indeksas". [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145415-10629 ;
 23. Šulikovska, Inga. Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145515-03753 ;
 Šiame darbe palyginami dviejų šalių – Lietuvos ir Olandijos kultūriniai kontekstai. Darbo siekis išsiaiškinti priežastis kodėl Olandija tapo grafinio dizaino šalimi ir ko trūksta Lietuvai... (more)
 Šiame darbe palyginami dviejų šalių – Lietuvos ir Olandijos kultūriniai kontekstai. Darbo siekis išsiaiškinti priežastis kodėl Olandija tapo grafinio dizaino šalimi ir ko trūksta Lietuvai norint tobulėti šioje srityje. Darbe kultūra apžvelgiama iš istorinio konteksto, kuris padėjo pagrindus tautų mentalitetui, o tuo pačiu kaip rezultatas atsispindi ir grafiniame dizaine. Aptariamas kultūros bei dizaino rėmimas, kuris yra vienas pagrindinių variklių dizaino palaikyme. Taip pat nagrinėjamas meno sektorius, jo bruožai ir svarba visuomenėjea.
 This research compares two countries - Lithuanian and Netherlands cultural contexts. Intension is to find out the reason why the Netherlands has become a graphic design country and what is missing in Lithuania to lead in this field. The research examine historical context, which laid the foundation for the nation's mentality, but at the same time as a result is reflected in the graphic design field. Discusses the support of culture and design, which is one of the main impulse on design supporting system. Research also examines the art sector, its features and importance in society.
 Advisors/Committee Members: Žemaitytė, Gintautė (Master’s thesis supervisor), Gaižauskas, Aurimas (Master’s thesis reviewer), Liškevičienė, Jolita (Master’s degree committee chair), Klimas, Audrius (Master’s degree committee member), Kibildienė , Miglė (Master’s degree committee member), Vazalinskienė, Jolanta (Master’s degree committee member), Liškevičienė , Jolita (Master’s degree committee member), Kepežinskas, Rimvydas (Master’s degree committee member), Lisauskaitė, Giedrė (Master’s degree committee member), Bartkus, Marius (Master’s degree session secretary), Lisauskienė, Aušra (Master’s degree committee member).
 Subjects/Keywords: Kultūra; Kontekstas; Grafinis dizainas; Olandija; Lietuva; Culture; Context; Graphic design; Lithuania; Netherlands
 Šulikovska, Inga. (2014). Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145515-03753 ;
 Šulikovska, Inga. “Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145515-03753 ;.
 Šulikovska, Inga. “Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija.” 2014. Web. 17 Jan 2019.
 Šulikovska, Inga. Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145515-03753 ;.
 Šulikovska, Inga. Kultūrinio konteksto įtaka grafiniam dizainui: Olandijos ir Lietuvos atvejų studija. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145515-03753 ;
 24. Papartytė, Aistė. Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145529-70559 ;
 Šiame darbe yra nagrinėjami socialiniai laisvalaikio kultūros raidos etapai bei su jais susiję ir jų įtakoti menininkų kūriniai, vaizduojantys laisvalaikio leidimo būdus. Darbą sudaro dvi... (more)
 Šiame darbe yra nagrinėjami socialiniai laisvalaikio kultūros raidos etapai bei su jais susiję ir jų įtakoti menininkų kūriniai, vaizduojantys laisvalaikio leidimo būdus. Darbą sudaro dvi dalys: pirmojoje dalyje aptariama socialinė laisvalaikio idėjos raida, įvairūs jos etapai skirtingais gyvenamaisiais laikotarpiais. Kalbama apie laisvalaikį, kaip socialinį ir kultūrinį visuomenės procesą ir jo santykį su darbo laiku. Antrojoje tyrimo dalyje laisvalaikio sąvoka skaidoma į penkis skyrius: malonumas laisvalaikio patyrime, kasdienis laisvalaikis, lyties įtaka laisvalaikio patyrime, etninė tapatybė laisvalaikio vaizdavime ir virtualus laisvalaikis. Šioje dalyje plačiau aptariami socialiniai ir kultūriniai laisvalaikio aspektai, būdingi kiekvienam skyriui bei pasitelkiama vaizdinė meno kūrinių medžiaga, vaizduojanti tam tikrus laisvalaikio leidimo momentus. Darbo tikslas buvo išsiaiškinti kiek įvairios kultūrinės, etninės ir politinės visuomenės tradicijos įtakoja laisvalaikio leidimo būdus ir atsispindi menininkų kūriniuose, vaizduojančiuose laisvalaikio leidimo būdus. Darbe analizuojami skirtingi laisvalaikio aspektai ir gretinami su meno kūriniais, bei menininko asmenine kultūrine patirimi. Taip pat dėmesys yra skiriamas ir virtualios kibernetinės erdvės įtakai laisvalaikio patyrime ir bei naujųjų technologijų įtakai meno kūriniuose. Darbe prieinama išvados, jog sociokultūriniai gyvenamosios visuomenės aspektai stipriai formuoja laisvalaikio leidimo būdus bei atsispindi... [toliau žr. visą tekstą]
 This theoretical work explores the meanings of leisure in the context of social and cultural formations of our time as well as works of art which portray leisure activities in their narrative. The work is divided into two parts: the first part discusses the idea of social leisure and its stages throughout the history. The second part analyses the concept of leisure in art and is represented in five chapters: pleasure meaning in leisure activity, casual leisure, gender and leisure experience, ethnicity and leisure experience and virtual leisure. This part concentrates more on leisure portrayal in art and discusses artist's relation to cultural leisure experience. The purpose of this work was to find out how different cultural, ethnical and political society tradicions influence leisure activity and how artists represent that heritage in their artwork. The work also addresses the virtual reality aspect and new technological side of contemporary art. The theoretical work comes to the conclusion that the socio-cultural aspects of living society have a main input in formatting leisure based activities and influence art, especially which portrays leisure experience. This observation also showed that artists either represent the individual metaphysical relation to ethnical society or criticize the global consumer culture in their leisure narrative based works. When portraying leisure activities, artists are influenced by their own experience which is formed by ethnical and cultural... [to full text]
 Advisors/Committee Members: Narušytė, Agnė (Master’s thesis supervisor).
 Subjects/Keywords: Laisvalaikis; Menas; Laisvalaikio vaizdavimas mene; Leisure; Art; Leisure portrayal
 Papartytė, Aistė. (2014). Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145529-70559 ;
 Papartytė, Aistė. “Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145529-70559 ;.
 Papartytė, Aistė. “Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene.” 2014. Web. 17 Jan 2019.
 Papartytė, Aistė. Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145529-70559 ;.
 Papartytė, Aistė. Laisvalaikis ir jo vaizdavimas šiuolaikiniame vizualiniame mene. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145529-70559 ;
 25. Kašinskaitė, Martyna. MITINIS ŽMOGUS.
 Kašinskaitė, Martyna. “MITINIS ŽMOGUS.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150229-87056 ;.
 Kašinskaitė, Martyna. “MITINIS ŽMOGUS.” 2014. Web. 17 Jan 2019.
 Kašinskaitė, Martyna. MITINIS ŽMOGUS. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150229-87056 ;.
 26. Dabulskytė, Sigita. Tapybos magistro baigiamasis darbas.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150259-99769 ;
 Darbų ciklas ,,Transformacija" gimė įkvėptas darbo su jaunimu. Ciklą sudaro darbai atlikti aliejumi bei akrilu and drobės. Skirtingus pasakojimus jungia nuolatinės kaitos idėja. Natūrali transformacija... (more)
 Darbų ciklas ,,Transformacija" gimė įkvėptas darbo su jaunimu. Ciklą sudaro darbai atlikti aliejumi bei akrilu and drobės. Skirtingus pasakojimus jungia nuolatinės kaitos idėja. Natūrali transformacija veda į naują realybę, kurios kūrimas yra būtinas žmogaus augimui.
 The work Cycle "Transformation" was born inspired work with youth. Cycle is from the works made by acrylic and oil on canvas. Different stories are connected by the idea of never ending changes. Natural transformation leads to new reality, which is necessary for the growth of a human being.
 Advisors/Committee Members: Barzdukaitė - Vaitkūnienė, doc. Aušra (Master’s thesis supervisor), Balsiukaitė - Brazdžiūnienė, Elena (Master’s thesis reviewer).
 Subjects/Keywords: Transformacija; Kaita; Simbolis; Transformation; Change; Symbol
 Dabulskytė, Sigita. (2014). Tapybos magistro baigiamasis darbas . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150259-99769 ;
 Dabulskytė, Sigita. “Tapybos magistro baigiamasis darbas.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150259-99769 ;.
 Dabulskytė, Sigita. “Tapybos magistro baigiamasis darbas.” 2014. Web. 17 Jan 2019.
 Dabulskytė, Sigita. Tapybos magistro baigiamasis darbas. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150259-99769 ;.
 Dabulskytė, Sigita. Tapybos magistro baigiamasis darbas. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150259-99769 ;
 27. Čėplaitė, Šarūnė. Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145949-18517 ;
 Teoriniame darbe ištyrus Marijampolės miesto branduolio urbanistines ir architektūrines vertes, šiame praktiniame darbe siūlomas tolimesnis esamo miesto raidos modelis. Kuriant naujos architektūrinės išraiškos daugiafunkcę architektūrinę... (more)
 Teoriniame darbe ištyrus Marijampolės miesto branduolio urbanistines ir architektūrines vertes, šiame praktiniame darbe siūlomas tolimesnis esamo miesto raidos modelis. Kuriant naujos architektūrinės išraiškos daugiafunkcę architektūrinę struktūrą, sukuriama jauki, humaniška viešoji erdvė tenkinanti šiuolaikinius miestietiškos gyvensenos poreikius. Kuriant naują struktūrą, atsižvelgiama į istorinį miesto aikštės perimetro užstatymą.
 Advisors/Committee Members: Palys, Jurgis Rimvydas (Master’s thesis supervisor).
 Subjects/Keywords: Miestas; Centras; Aikštė; Aiškinamasis raštas; Marijampolė; Town; Center; Square; Marijampole; Explanatory notes
 Čėplaitė, Šarūnė. (2014). Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145949-18517 ;
 Čėplaitė, Šarūnė. “Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145949-18517 ;.
 Čėplaitė, Šarūnė. “Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas.” 2014. Web. 17 Jan 2019.
 Čėplaitė, Šarūnė. Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145949-18517 ;.
 Čėplaitė, Šarūnė. Daugiafunkcė architektūrinė struktūra - Marijampolės miesto branduoli pamatas. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_145949-18517 ;
 28. Čėplaitė, Šarūnė. Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas.
 URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150002-83871 ;
 Miestas - tai teritorija, suskaidyta į funkcines erdves: gyvenamuosius, pramoninius, paslaugų rajonus, senamiesčius ir naujamiesčius. Planuojant miestus reikia atsižvelgti ne tik į erdvę, kaip vietą,... (more)
 Miestas - tai teritorija, suskaidyta į funkcines erdves: gyvenamuosius, pramoninius, paslaugų rajonus, senamiesčius ir naujamiesčius. Planuojant miestus reikia atsižvelgti ne tik į erdvę, kaip vietą, bet ir į specifinę, kiekvieną žmogų supančią individualią erdvę. Miestas – yra jo gyventojų „namai”, o miesto centras - branduolys, tai tarytum „svetainė”, reprezentatyviausia namų erdvė, erdvė, kurioje renkasi svečiai, rengiami susiėjimai, susitikimai su draugais. Šiame darbe kalbama apie miesto branduolį, kuris yra įsitvirtinęs pačioje seniausioje miesto dalyje, susidaręs per daugelį metų, turintis savo vystymosi raidos istoriją, užstatytas įvairių epochų statiniais. Kaip miesto branduolys, centrinis miesto taškas įvardijama - pagrindinė miesto aikštė, nuo kurios ir užsimezga miesto raida. Marijampolė, vienas jauniausių, gana sudėtingos praeities, šiuo metu besiplečiantis ir modernėjantis Lietuvos miestas, turintis savo raidos istoriją, bei jau susiformavusį miesto branduolį, su savo privalumais ir trūkumais išryškėjusiais per daugelį metų. Čia mes susipažinsime su miestų branduolių formavimosi tendencijomis, išsiaiškinsime priežastis darančias įtaką miestų raidai. Pirmoje darbo dalyje aptariama miesto branduolio sąvoka, jo reikšmė miestui, taip pat apžvelgiama miestų centrų raida, bei projektavimo kriterijai nuo antikos laikų iki šių dienų Lietuvoje ir užsienio šalyse. Antrojoje darbo dalyje atliekama užsienio šalių branduolių regeneracijos pavyzdžių paieška, bei analizė,... [toliau žr. visą tekstą]
 A town is a territory, divided into functional spaces occupied by living, industry, and service, old and new parts of town. Specific, individual space surrounding each person must be taken into account when planning a city as well as the space itself. The city is home for the local citizenry, and the center of city is the space which can be compared to the sitting-room of the home where various celebrations are held and guests invited. The core of a town is the main topic of the master thesis. The core was built up during a long period of time, has its own development history (therefore buildings associated with different periods of architecture can be found here) and is located in the oldest part of the town. The town square which is the beginning of the development of the city is considered to be the core of the town. Marijampolė is a town of complex past nevertheless it is one of the youngest and currently developing compared to other similar towns in Lithuania. It has its own development history, a core with its advantages and disadvantages, and the core is formed during the years. We are going to get acquainted with the trends of formation of town cores and find out the reasons making influence to the development of towns. The first part of the master thesis is dedicated for the analysis of the term 'core of the town'. Also, the influence a core is making to the town is depicted as well as history of centers of towns, design criteria beginning from the antiquity and... [to full text]
 Advisors/Committee Members: Lamauskas, Albertas (Master’s thesis reviewer).
 Subjects/Keywords: Miesto branduolys; Viešoji erdvė; Aikštė; Miestų raida; Urban core; Public space; Square; Urban evolution
 Čėplaitė, Šarūnė. (2014). Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas . (Masters Thesis). Vilnius Academy of Fine Arts. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150002-83871 ;
 Čėplaitė, Šarūnė. “Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150002-83871 ;.
 Čėplaitė, Šarūnė. “Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas.” 2014. Web. 17 Jan 2019.
 Čėplaitė, Šarūnė. Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150002-83871 ;.
 Čėplaitė, Šarūnė. Daugiafunkcinė architektūrinė struktūra - Marijampolės branduolio pamatas. [Masters Thesis]. Vilnius Academy of Fine Arts; 2014. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_150002-83871 ;
 29. Kymantė, Mantė. Mano šeimos portretas.
 Kymantė, Mantė. “Mano šeimos portretas.” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_154611-63557 ;.
 Kymantė, Mantė. “Mano šeimos portretas.” 2014. Web. 17 Jan 2019.
 Kymantė, Mantė. Mano šeimos portretas. [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_154611-63557 ;.
 30. Kymantė, Mantė. Menininkų artimųjų portretai (XVa. – XXI a. pr.).
 Kymantė, Mantė. “Menininkų artimųjų portretai (XVa. – XXI a. pr.).” 2014. Masters Thesis, Vilnius Academy of Fine Arts. Accessed January 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_154624-03573 ;.
 Kymantė, Mantė. “Menininkų artimųjų portretai (XVa. – XXI a. pr.).” 2014. Web. 17 Jan 2019.
 Kymantė, Mantė. Menininkų artimųjų portretai (XVa. – XXI a. pr.). [Internet] [Masters thesis]. Vilnius Academy of Fine Arts; 2014. [cited 2019 Jan 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_154624-03573 ;.


type: wikipedia

text:
Dr. Sárospataki Miklós (Budapest, 1963. május 11. –) magyar biológus, ökológus, egyetemi tanár és méhkutató.
 Pályája
 1982 és 1987 között végzett a szegedi József Attila Tudományegyetem biológus szakán, ökológia szakirányon. 1989-től 91-ig az Eötvös Loránd Tudományegyetem kiegészítő biológiatanári szakát végzi. 1987-1994 között az MTA Növényvédelmi Kutatóintézetében dolgozott. 1998-ban elnyerte a mezőgazdasági tudományok kandidátusa címet. 1993-tól dolgozik a gödöllői Szent István Egyetem Állattani és Ökológiai Tanszékén. 1994-től tudományos segédmunkatárs, 1996-tól egyetemi tanársegéd, 1998-tól egyetemi adjunktus, 2003-tól docens.
 Elévülhetetlen érdemeket szerzett a hazai vad-, művész- és poszméhek kutatásában és néhány fajuk védetté nyilvánításában.
 Nős, felesége Fazekas Judit biológus. 4 gyermekük van.
 Kötete
 Jegyzetek
 Külső hivatkozások
 Életrajza 2000-ből
 A méhek táncolnak, a csillag odébb megy Magyar Hírlap
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type: caselaw

jurisdiction: EU

text:
 22.11.2008
 MT
 Il-Ġurnal Uffiċjali ta’ l-Unjoni Ewropea
 C 301/47
 Rikors ippreżentat fil-11 ta' Settembru 2008 — New Europe vs Il-Kummissjoni
 (Kawża T-383/08)
 (2008/C 301/81)
 Lingwa tal-kawża: L-Ingliż
 Partijiet
 Rikorrenti: New Europe (Brussel, il-Belgju) (rappreżentant: A.-M. Alamanou, avukat)
 Konvenuta: Il-Kummissjoni tal-Komunitajiet Ewropej
 Talbiet tar-rikorrenti
 —
 tannulla d-deċiżjoni tal-Kummissjoni mogħtija permezz ta' ittra datata t-2 ta' Lulju 2008 u li waslet għand ir-rikorrenti dakinhar stess, li rrifjutatilha l-aċċess għall-ismijiet tal-kumpanniji u tal-individwi msemmija fid-dokumenti kkomunikati mill-Kummissjoni; u
 —
 tikkundanna lill-konvenuta għall-ispejjeż.
 Motivi u argumenti prinċipali
 Permezz tar-rikors preżenti, ir-rikorrenti tikkontesta d-deċiżjoni tal-Kummissjoni nnotifikata lilha permezz ta' ittra datata t-2 ta' Lulju 2008 li permezz tagħha l-Kummissjoni rrifjutat li tikkomunika l-ismijiet tal-kumpanniji u tal-individwi involuti fl-hekk imsejjaħ każ “Eximo” li huma ċċitati fid-dokumenti mogħtija mill-Kummissjoni lir-rikorrenti bħala risposta għat-talba inizjali tagħha.
 Ir-rikorrenti titlob l-annullament tad-deċiżjoni kkontestata fuq il-bażi tas-segwenti motivi:
 L-ewwel nett, skont ir-rikorrenti, id-deċiżjoni kkontestata hija vvizzjata minn żball manifest ta' liġi sa fejn il-Kummissjoni interpretat ħażin u bbażat ruħha fuq l-eċċezzjonijiet mogħtija fl-Artikolu 4(1)(b) u l-ewwel inċiż tal-Artikolu 4(2) tar-Regolament (KE) Nru 1049/2001 (1) mingħajr ma wettqet evalwazzjoni tal-fatti jew indikat ir-raġunijiet għar-rifjut tagħha. Barra minn hekk, ir-rikorrenti ssostni li l-Kummissjoni għamlet żball fl-evalwazzjoni tal-fatti meta waslet għall-konklużjoni li l-interessi kummerċjali tal-kumpanniji kkonċernati u l-privatezza u l-integrità tal-individwi involuti kienu jiġu ppreġudikati b'mod serju ħafna kieku kellhom jiġu żvelati l-ismijiet tagħhom. Barra minn hekk, ir-rikorrenti ssostni li, billi applikat interpretazzjoni wiesa' tal-frażi “ħarsien tal-interessi kummerċjali” u “ħarsien tal-privatezza u l-integrità ta' l-individwu”, il-Kummissjoni kisret il-prinċipju tal-akbar aċċess għal dokumenti kif inhu stipulat fl-Artikolu 1(a) tar-Regolament (KE) Nru 1049/2001.
 It-tieni nett, ir-rikorrenti ssostni li d-deċiżjoni kkontestata kisret l-Artikolu 4(4) tar-Regolament (KE) Nru 1049/2001 sa fejn il-Kummissjoni naqset milli tagħti lir-rikorrenti l-aċċess sħiħ għal dokument li kien diġà disponibbli għall-pubbliku.
 It-tielet nett, ir-rikorrenti ssostni li l-Kummissjoni naqset mill-obbligu li tindika r-raġunijiet skont l-Artikolu 253 KE, billi naqset milli tinforma lir-rikorrenti fuq ir-raġunijiet li fuqhom ibbażat id-deċiżjoni tagħha u billi rreferiet sempliċement għall-eċċezzjonijiet imsemmija fl-Artikolu 4(4) tar-Regolament (KE) Nru 1049/2001.
 (1) Ir-Regolament (KE) Nru 1049/2001 tal-Parlament Ewropew u tal-Kunsill tat-30 ta' Mejju 2001 dwar l-aċċess pubbliku għad-dokumenti tal-Parlament Ewropew, tal-Kunsill u tal-Kummissjoni (ĠU 2001 L 145, p. 43).